I'M THE GODDAMNED ELLROY
With all the Black Dahlia talk, it occurs to me to finally mention that what Miller is doing in All Star Batman and Robin could appropriatly be coined Pop-Ellroy. He's taking Ellroy's prose style--the staccato, repeated bursts of narration--and compulsive, worshipful misogny and playing them for comedy.
Really. Dip into, say, White Jazz, read three or four pages, and go back to the first issue of ASTB&R. The narrative rythymns are very similiar. Conversely, rent the Ellroy biopic; you can easily picture him writing the comic as lark, a way to blow off steam, barking all the while.
Incidentally, if you asked me to pick actors who should never appear in a film version of an Ellroy book, Josh Hartnett would be way high on the list. He's entirely too blank to carry the weight of Ellroy's obsessions.
With all the Black Dahlia talk, it occurs to me to finally mention that what Miller is doing in All Star Batman and Robin could appropriatly be coined Pop-Ellroy. He's taking Ellroy's prose style--the staccato, repeated bursts of narration--and compulsive, worshipful misogny and playing them for comedy.
Really. Dip into, say, White Jazz, read three or four pages, and go back to the first issue of ASTB&R. The narrative rythymns are very similiar. Conversely, rent the Ellroy biopic; you can easily picture him writing the comic as lark, a way to blow off steam, barking all the while.
Incidentally, if you asked me to pick actors who should never appear in a film version of an Ellroy book, Josh Hartnett would be way high on the list. He's entirely too blank to carry the weight of Ellroy's obsessions.